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Showing posts with label Dry Vermouth. Show all posts
Showing posts with label Dry Vermouth. Show all posts

Wednesday, April 24, 2019

Islay and Olive

Islay and Olive, a dirty vodka martini with smoky Scotch

Do you ever look at a cocktail recipe and think, “That’s so weird that it just might be delicious?” That was my reaction to the Islay and Olive when I first saw it in Maggie Hoffman’s book Batch Cocktails. It’s a combination of two of the coolest, classiest drinks you can order – a dirty Martini and an Islay single malt. Both of which I adore. But I never would have thought to combine these already-polarizing liquids in the same cocktail. But it works, and it works wonderfully. The smoke of the Scotch adds a whole new dimension to the savory brine of a dirty vodka martini. Olive oil and a dash of salt turn it into something really special. Admittedly, if you don’t like dirty martinis or smoky Scotch, you will probably not like this drink. But if you like both of them, you must try it. Like immediately.

As with the Principessa di Sole I posted a few weeks ago from the same book, the recipe for the Islay and Olive was printed in batched format, with quantities for 12 servings. I love that Maggie included interesting, spirit-forward drinks like this in the book as well as the usual fruity punches. Although this one isn’t exactly the kind of thing I’d roll up to a party with and expect everyone to love. So I’ve done the math and adjusted the recipe instructions for a single cocktail.

History: This drink was created by Shaun Traxler, a bartender at Vault in Fayetteville, Arkansas.

Islay and Olive, a dirty vodka martini with smoky Scotch

Islay and Olive

1.5 oz. vodka
Scant 1.25 oz. Islay single-malt (such as Laphroaig)
¾ oz. dry vermouth
1 dash orange bitters
1 dash olive brine
1 pinch salt
Olive oil, to garnish.

Combine all ingredients in a mixing glass with ice and stir until chilled. Strain into a coupe. Garnish with a dash of olive oil (I like using my mister for ease and drama), a lemon twist, and several Castelvetrano olives (frozen, if you’d like).

Recipe adapted from Batch Cocktails. I was provided with an advance copy of the book.

Friday, September 14, 2018

Clover Club

Clover Club

Sometimes knowing a lot of cocktails can work against you. If you have a small bar and a few tried-and-true drink recipes, it's easy to figure out what to make when you want a cocktail or when friends come over. But when you have a massive arsenal of bottles and books at your disposal, sometimes it's difficult to pick a recipe, especially if someone asks you to just "make them something" and doesn't know enough about cocktails to specify much beyond that. A good bartender (or home bartender) knows what questions to ask to find the perfect drink for a guest. But sometimes the occasion isn't right for twenty questions and it's nice to be able to just hand someone a good drink. So I'd argue that a really good home bartender should know a few crowd-pleasers that anybody will like. And the Clover Club is going on my list.

Clover Club

I knew the Clover Club would be good - it's basically a raspberry gin sour - but I didn't expect just how much I loved it. I'm not usually a raspberry fiend, but the syrup imparts just enough raspberry flavor for my taste (and also gives the drink its gorgeous color). We planted a little raspberry bush in our backyard a couple of years ago, and it has flourished with very little encouragement, so I was able to pick the raspberries for the syrup and garnish the morning before I used them. The syrup is a bit unique in that it's not made on the stove - Julie Reiner, founder of the Brooklyn bar named after this classic cocktail, says that this will cook the raspberries and change their flavor. Instead, they are muddled, mixed with sugar, and allowed to macerate for 20-30 minutes. Then you add some water and strain the mixture. It's a very easy drink to make considering how absolutely beautiful it looks.

Clover Club

History: The Clover Club is a very old cocktail. It is named for a men's club that met in the Bellevue-Stratford Hotel in Philadelphia. It was exactly what you are probably picturing - a bunch of old, rich white dudes (including William Butler Yeats) sipping drinks in a sumptuous lounge paneled in dark wood. It seems quite incongruous that a lot of them were probably drinking this pink, frothy cocktail. The Clover Club of Philadelphia, a book published in 1897, mentions the drink and that it originated the previous year, in 1896. It enjoyed a lot of popularity in the pre-Prohibition years but, like many other great cocktails, faded into obscurity afterwards, probably because of the egg whites and its girly appearance. By 1934, Esquire was referring to it as a drink for "pansies." The modern cocktail renaissance renewed interest in this delicious cocktail, and Julie Reiner's Clover Club bar ensured that the recipe got some extra attention.

Clover Club

Clover Club

1 1/2 oz. gin (Plymouth recommended)
1/2 oz. dry vermouth (Dolin recommended)
1/2 oz. lemon juice
1/2 oz. raspberry syrup*
1/4 oz. egg white**

Combine all ingredients in a shaker with ice and shake well, for at least 20 seconds. Strain the drink, dump the ice, and return the cocktail to the shaker to shake again for at least 30 more seconds (this is called a reverse dry shake). Strain into a coupe and garnish with three raspberries on a pick.

*For raspberry syrup, muddle 1/4 cup raspberries in a bowl. Add 1/2 cup sugar and stir or muddle to mix it in well. The mixture should become bright red and juicy. Let it macerate for 20-30 minutes. Then add 1/4 cup water, stir well, and fine strain.

**It can be hard to pour small quantities of egg white - it all tends to goop out at once. I like to separate my egg white into a bowl and lightly whisk it so that it's easier to measure out 1/4 ounce.

Recipe from Julie Reiner via Imbibe. Historical info from Wikipedia, Punch, Gin Foundry, and The Cocktail Chronicles.

Friday, June 8, 2018

Recipe Round-Up: The Negroni

Negroni

Unless you're living under a rock (or, you know, not on social media), you probably know that it's Negroni Week! Sponsored by Imbibe and Campari, this is a week-long celebration of what is arguably the cocktail world's favorite drink. Bars around the country serve Negronis and Negroni variations, with proceeds from the drinks going to various charities. I'm only getting in on the tail end of the week, but if you're reading this before June 10th, see what venues are serving Negronis for a good cause near you here.

The Negroni and I have a tumultuous history. When I first tried one, I did not like it at all, and I said as much in my original Negroni post three years ago. In the cocktail world, thinking that Negronis are anything less than amazing is a fairly controversial opinion, but I was prepared to stand by it unless I magically developed a taste for them. And I did. Not magically, exactly; I think it was a combination of buying better sweet vermouth (and storing it properly in the refrigerator) and developing a taste for more bitter drinks in general. Other less polarizing cocktails eased me into the flavors of the Negroni, and before I knew it I was a convert. But I still understand how someone might not enjoy them, especially if they're new to Campari or cocktails in general. So whether you love a classic Negroni or are looking for your gateway drink, I've rounded up some Negroni variations in honor of this iconic equal-parts cocktail.

Assume that all of these should be stirred over ice and strained into a rocks glass over ice (though the last two can also be served in a coupe). Alternatively you can build them in the glass for an even easier cocktail.

Classic Negroni

1 oz. gin
1 oz. Campari
1 oz. sweet vermouth
Orange twist

The original: easy to remember, easy to make, and always great. Opinions will differ on the best gin and sweet vermouth for the job, but my go-tos are The Botanist or Wire Works and either Cocchi Vermouth di Torino or Carpano Antica Formula.


White Negroni

White Negroni

2 oz. gin
1 oz. Lillet Blanc
3/4 oz. Suze
Lemon twist

This variant from London bartender Wayne Collins is actually a lot more yellow than white, but let's not nitpick. Suze and Lillet make this Negroni a bit lighter but more herbal. It does diverge from the typical equal parts ratio, since Suze can be a bit overpowering. See my full post on this drink here.

Negroni Bianco

Negroni Bianco 

1 oz. gin
1 oz. Luxardo Bitter Bianco
1 oz. blanc vermouth
Orange or grapefruit twist

This truly white Negroni is known as the Negroni Bianco, and it is my favorite drink on this list. In fact, it's easily one of my favorite drinks of all time. (Someone told me recently that I say that a lot on here. Well, tough. It's true, especially in this case.) It's beautifully light and balanced, still bitter but not overpowering. It would be a perfect introductory Negroni. I wish I'd had one years ago - I might have started liking Negronis sooner.

Special Negroni

Special Negroni

1 oz. gin
1 oz. Aperol
1 oz. Lillet Blanc
Orange twist

I have a feeling this recipe exists under other names, but ever since I was served one at Canary Square in Boston, I call it the Special Negroni. This is the ultimate introductory Negroni - milder, sweeter, and a bit more citrusy, but still preserving all the crucial parts of the original.

Toffee Negroni

Toffee Negroni

1 oz. aged rum
1 oz. Aperol
1 oz. Amontillado sherry
Grapefruit twist

I had never heard of this Negroni until I saw it in Kara Newman's equal parts cocktail book Shake. Stir. Sip. Created by Lynette Marrero, it has a deep toffee sweetness with just the right amount of bitterness.

Deconstructed Negroni

Deconstructed Negroni

1 oz. gin
3/4 oz. dry vermouth
Dehydrated Campari
Orange twist

This one is a bit more of a novelty than a go-to recipe, but it seemed like I ought to include it. A bartender at Roosevelt in Denver told me how they dehydrated Campari and used it to serve a colorless Negroni with a Campari rim. I tried it at home and was pretty pleased with the result. See how to make it here.

Boulevardier

Boulevardier

1 1/2 oz. bourbon
1 oz. Campari
1 oz. sweet vermouth

This is another drink that definitely goes on my list of all-time favorites. I find the juniper notes of gin one of the more polarizing things about a Negroni, and subbing in bourbon makes a smoother drink that's more akin to a Manhattan. Say what you will, but I'll order a Boulevardier over a Negroni any day. See my original post on the Boulevardier (from before I developed my undying love for this cocktail) here.

Old Pal

Old Pal

1 oz. rye
1 oz. Campari
1 oz. dry vermouth
Orange twist

A close relative of the Boulevardier, the Old Pal is an even lighter cocktail that uses dry vermouth instead of sweet. You can take it one step further and try a Pen Pal, which additionally swaps the Campari for Aperol.

I've seen a ton of other interesting Negroni variations this week... what's your favorite?

Wednesday, April 25, 2018

Gibson

Gibson

I've always been a bit fascinated - and confused - by the Gibson.

Before writing this post, I didn't really know much about this classic cocktail, except that it was a Martini garnished with a cocktail onion instead of an olive or lemon twist. But if that's all it is, then why does it have a special name? And is it actually any good?

The answer to the first question is a bit complicated, but I'll get to it. The answer to the second question is yes.

If you like Martinis, especially with olives, you will like a Gibson. Well, assuming you like onions too. Like olives, onions give gin and vermouth a hint of savory flavor, and snacking on them in between sips enhances notes in the gin that you wouldn't normally taste. I'm not sure the Gibson deserves to be a cocktail in its own right, as it is definitely just a Martini variation. But the reason for that is historical, as you'll see below. And there's no denying that it's a tasty drink.

Gibson

Some writers play up the Gibson as the sort of drink you have to be in-the-know to order, a signal to your bartender that you are a discerning imbiber of finely-crafted cocktails. But in my opinion, no one who fits this description would ever order a Gibson at the average bar. The quality of a Gibson hinges on the quality of its garnish, and at most bars this is going to come from an old jar of soggy cocktail onions that they've kept around on the off chance that anyone orders this obscure drink. To make a Gibson really good, you've got to use good onions. They should be briny and crunchy and - preferably - hot pink.

Well, that last bit isn't exactly part of the classic Gibson recipe. But if I was going to make my own cocktail onions, I figured I might as well have a little fun with it, so I made these beet-pickled pearl onions. It was completely worth the extra trouble. First of all, these are good - tart and briny and garlicky and just the tiniest bit sweet. And second of all, they look absolutely awesome. This is a cocktail garnish on another level. And in a drink that depends on its garnish as heavily as the Gibson, you might as well go all out.

Beet-pickled Cocktail Onions

History: I had a feeling a classic drink like the Gibson would have enough history to fill an entire book, and indeed it does. Although, as tends to be the case, most of it is apocryphal. Who, for example, was the eponymous Gibson who lent his (or her) name to this libation? And, again, why the special name at all?

Over the years, this drink has been attributed to a number of different Gibsons. In my brief research, I encountered no fewer than six - well, seven, actually, since one story involves twins. All of these tales supposedly occurred sometime between 1890 and 1920. Most are probably not true. A couple are certainly not. But it's fun to know them all nonetheless. Here are the contenders:

1. Charles Dana Gibson, the artist/illustrator responsible for the famous "Gibson Girls," challenged Charley Connolly, the bartender at the Player's Club in New York City, to improve upon the classic Martini. Connolly completely phoned it in and just swapped the olive for an onion.

2. Stockbroker Walter Campbell Gibson requested an onion in his Martini at the bar in the Ritz in Paris, and the bartender named the drink after him. This claim was included in his obituary in the New York Times.

3. Hugh Simons Gibson, a diplomat with the U.S. State Department, did not like to drink as much as his colleagues when they went out to the Metropolitan Club in D.C., so he had the bartender pour him water instead of a Martini, with an onion garnish so he could keep track of which one was his. This version is sometimes repeated with a banker named Gibson instead.

4. The drink was named after a boxing promoter named Billie Gibson.

5. There was a pair of twin sisters in Chicago with the last name of Gibson. They loved Martinis but hated olives, so would always ask for two cocktail onions as their garnish instead - two because they were twins.

6. Walter D. K. Gibson, a successful San Francisco businessman, believed that eating onions prevented colds so he would always put one in his Martini when he ordered one at the Bohemian Club (definitely my kind of healthy living).

Gibson

#1 and #6 are the most popular options, though they're usually accompanied by the assertion that we'll never really know. And maybe we won't. But in an excellent article for the Wall Street Journal, Eric Felten provides fairly compelling evidence that the correct Gibson is #6 - Walter D. K. Gibson (and thanks to Doug Ford for calling my attention to it).

Felten uncovers what he says is the earliest mention of the Gibson cocktail in print, in a humorous story by Edward W. Townsend in an 1898 issue of New York World.  Townsend was most famous for his Chimmie Fadden stories, a couple of which were later made into movies by Cecile B. DeMille. But he also published a series of stories featuring the upperclass Major Max and his young wife, who drink copiously and discuss such things as the merits of having whiskey and water with dinner (abominable, unless you are suffering from gout), the ongoing flirtation between the single Mr. Billings and the married Mrs. Jack, and the Major's unpublished manuscript on mushrooms. While I can't get my hands on the particular essay in question, according to Felten Major Max tells his wife, "Gin, my dear... if mixed with an equal part of dry vermouth and properly chilled makes a Gibson cocktail."

The kicker here? Townsend, who wrote these words, was the vice president of the Bohemian Club in San Francisco, where Walter D. K. Gibson supposedly enjoyed his Martinis with onions. It's not a smoking gun, but it's a compelling coincidence.

Gibson

But what about those onions? Isn't that supposed to be what makes a Gibson a Gibson? Not according to Major Max, and not according to the second-oldest Gibson recipe (often credited as the oldest) in William T. Boothby's The World's Drinks and How to Mix Them. Boothby also calls for equal parts gin and dry vermouth, and says that an olive can be optionally added. So basically... a Martini. But not the Martini of the time, as you can see on the page opposite Boothby's Gibson recipe - Martinis contained orange bitters. The difference with the Gibson, as Boothby points out, is the lack of bitters, not the garnish. But the classic Martini recipe eventually lost the bitters, while the Gibson gained the onion. Maybe it was named for Walter D. K. Gibson, but the business about onions curing colds wasn't true. Maybe one of the other stories led to the iconic garnish. But it seems that the Martini and the Gibson converged on their similar recipes independently.

One thing is for sure - the Gibson is a cocktail that shouldn't be neglected. Major Max told his wife, "I purpose writing about its merits until it shall be crowned with the appreciation of mankind." A noble aim, and one I hope I've furthered here.

Gibson

2 1/2 oz. gin
1/2 oz. dry vermouth
Beet-pickled cocktail onions for garnish (recipe below)

Combine gin and vermouth in a mixing glass with ice and stir until well chilled. Strain into a chilled coupe or cocktail glass and garnish with three cocktail onions on a pick.

Beet-Pickled Cocktail Onions

1 cup apple cider vinegar
1 cup water
3 garlic cloves, crushed
3 tbsp. sugar
3 tsp. whole black peppercorns
1 tbsp. kosher salt
4 small red beets, cooked and roughly chopped (I used Love Beets; you can also try canned, check your grocer's salad bar, or roast your own)
1 cup pearl onions (I bought mine frozen and thawed them out)

Combine the vinegar, water, garlic, sugar, peppercorns, and salt in a saucepan and bring to a simmer, stirring until sugar is dissolved, about 5 minutes. Let cool for 15 minutes. Combine beets and onions in a mason jar and pour the vinegar mixture on top. Let sit at room temperature for 2 hours, then transfer to the fridge and let sit at least overnight.

Onion recipe adapted from this one by Food & Wine.
Besides the sources linked above, historical information also came from Slate, Elemental Mixology, and Paste Magazine.

Tuesday, February 20, 2018

Dunhill

Dunhill

I usually don't like to drink the same thing every night, preferring to try out new recipes whenever I can. But sometimes I get on little kicks where I'm only craving one specific cocktail. And lately it's been Martinis with Castelvetrano olives. If you like a Martini with an olive garnish, you have to try these - they're bright green, crisp, and perfectly oily. Way better than the usual pimento-stuffed green olives. You can find them in a jar at most supermarkets, although my favorites are the ones from my grocery store olive bar, which tend to be crisper. In a recipe where the garnish has a huge influence on overall flavor, they're a serious upgrade.

Dunhill

My love for these olives got me wondering what other drinks are out there that use an olive garnish. It's not something you see too often. It seems like as soon as you start introducing much sweetness into a cocktail an olive would no longer work. But I promptly found a cocktail that completely refuted that assumption: the Dunhill. It's sort of a cross between a Martini and a Negroni. As it's made with gin, sherry, and dry vermouth, its olive garnish didn't seem too off-base, but it also contains a bit of orange curaçao and an absinthe wash. Absinthe and olives sounded a bit crazy to me. Just crazy enough to work, maybe?

Dunhill

Indeed it is. Somehow the hint of anise isn't the least bit out of place, and the sweetish but oily Lustau East India Solera sherry is an unexpected but perfect pairing for olives. The result is, as Chad Parkhill writes in an article on under-appreciated cocktails, "a wonderful paradox of a drink: one that manages to be simultaneously sweet and savory, rich and lean, nutty and herbaceous." This description is dead on. The Dunhill is a drink unlike any other I've had - in a good way.

Dunhill

History: The Dunhill first appears as the Dunhill's Special in the 1925 book Drinks - Long and Short by Nina Toye and A. H. Adair. This is the first time I've encountered this book. It contains recipes for cocktails served by Adair at Hatchett's Bar in Leicester Square in London. The Dunhill's Special was later included in classic cocktail recipe books like The World's Drinks and How to Mix Them and The Savoy Cocktail Book. I'm not sure when the drink became simply the Dunhill. It's certainly special in my book.

Dunhill

1 oz. gin (I used Conniption Navy Strength)
1 oz. Lustau East India Solera Sherry
1 oz. dry vermouth
1/4 oz. dry curaçao
Absinthe rinse (I used Herbsaint)

Combine gin, sherry, vermouth, and curaçao in a mixing glass with ice and stir until chilled. Rinse a rocks glass with absinthe and add one large ice cube. Strain the drink into the prepared glass and garnish with olives or a lemon twist.

Recipe adapted from Punch.

Thursday, November 2, 2017

Teenage Riot

Teenage Riot

A couple of weeks after Luke was born, my parents came up to Boston to help us out. We instituted a pretty regular cocktail hour in the evenings - much needed after a day of dealing with a crying baby. My Dad loves Manhattans and Boulevardiers, so I started suggesting some other cocktails for them to try. Before long, a definite theme emerged - we were working our way through all my recipes with gin or whiskey, vermouth, and an amaro. We made Little Italys, Black Manhattans, Negronis, and Montenegronis. The Lucien Gaudin slipped in. I wish there was a general name for this formula, because this combination - specifically with bourbon and sweet vermouth - is definitely my favorite sort of cocktail.

Eventually I thought we ought to switch it up a bit, and I suggested the Teenage Riot. I first heard of this cocktail when the folks at Tipple & Nosh posted their riff on the recipe on Instagram. I didn't have the Cynar 70 and Madeira to make their version, but the original sounded right up my alley - my favorite whiskey/vermouth/amaro combo with some Amontillado sherry and orange bitters to boot.

Sure enough, I loved this drink. It has a beautiful citrus aroma. When you sip, you first get the bite of the rye, then the rich fruity, nutty flavor of the sherry and the Cynar, which stretches into a bitterness at the end. It would be interesting with sweet vermouth, but using dry keeps it lighter and balances things out. It's a beautifully crafted cocktail, and it's going on my list of favorites.

Teenage Riot

History: The Teenage Riot comes from Tonia Guffey of Dram, Flatiron Lounge, and Lani Kai in New York City. She presumably named it after the song by Sonic Youth.

Teenage Riot

1 1/2 oz. rye whiskey
1 1/2 oz. Cynar
1/2 oz. dry vermouth
1/2 oz. Amontillado sherry
2 dashes orange bitters

Combine all ingredients in a mixing glass with ice and stir until chilled. Strain into a coupe and garnish with a lemon twist.

Recipe from Gaz Regan's 2011 Annual Manual for Bartenders via Cocktail Virgin Slut.

Monday, November 14, 2016

Brooklyn

Brooklyn

It's been a weird week, hasn't it? No matter what your politics, I think we can all agree that we deserve a drink after this election. And when the rest of the world seems a little off-kilter, there's nothing better than a classic cocktail to remind you how little a lot of things have changed.

The Brooklyn is, admittedly, not one of the most widespread classics. Its close cousin the Manhattan always steals the spotlight. I'd argue that there's a reason for this; I personally prefer the Manhattan with its sweet vermouth to the lighter Brooklyn. But the Brooklyn has inspired a number of spinoff cocktails that I really enjoy, most named after Brooklyn neighborhoods: the Red Hook, Greenpoint, Slope, Prospect Park, and many others. So it seemed like high time that I made one.

One reason I've avoided the Brooklyn until now is because it technically calls for an ingredient I don't have, a bitter orange liqueur from France called Amer Picon. It was invented in 1837 by Gaétan Picon, a distiller-turned-soldier who mixed up the quinine-laced bitters to cure the malaria he contracted while stationed in Algeria. It seemed to work, and the French army asked him to stay in Algeria and continue to produce it for the troops there. He opened multiple distilleries in the country, and when his "Amer Africain" won a major competition in London, he moved to Marseilles and began making the bitters under the name Amer Picon. They found their way into a number of turn-of-the-century cocktails, including the Brooklyn.

Unfortunately, the Picon company was sold around the 1970's, and the recipe for Amer Picon was changed and diluted (so much for nothing really changing). Besides a few precious bottles hoarded away by collectors, it's now impossible to taste the original formula. Even the altered version is not available for purchase in the United States. So you can't really make a "real" Brooklyn anymore. You can get around this problem by making your own Amer Picon substitute or just subbing in Angostura and orange bitters. I did the latter, including two dashes of each.

The Brooklyn is surprisingly light in flavor due to the dry vermouth. With the ingredients I used, it has almost a nutty flavor, with strong hints of cherry and vanilla. There was a lot of spice on the finish. It's a pleasant cocktail, but all in all it's not my favorite of the Manhattan family. I feel like it's crying out for sweet vermouth. But I'm still quite happy that I finally tried it. I'd like to replace the Amer Picon with some different amari and see how that improves things.

History: As I mentioned in my post on the Greenpoint, there are five cocktails that were created in the early twentieth century that were named after New York City's five boroughs: the Manhattan (rye, sweet vermouth, bitters), the Bronx (rye, sweet vermouth, dry vermouth, orange juice), the Brooklyn (rye, dry vermouth, maraschino liqueur, Amer Picon), the Queens (gin, dry vermouth, sweet vermouth, pineapple juice) and the Staten Island Ferry (rum, pineapple juice). It seems that the Manhattan came first and sparked a trend. Not to be left behind, Brooklyn bartenders began serving up a number of different cocktails named after their neighborhood.

The Brooklyn we know and love today was one of the earliest of these to appear on the scene. It popped up in J.A. Grohusko's Jack's Manual in 1908. It didn't really catch on at first (one could argue that it never really caught on, not the way the Manhattan or even the Bronx did), but it was included in Jacques Straub's 1913 Manual of Mixed Drinks and the famous Savoy Cocktail Book in 1930. Still, bartenders continued to invent their own Brooklyns, either ignorant of this one's existence or unsatisfied with it. Though the recipe flew under the radar until very recently, it did survive, and now it has a number of descendants created during the recent craft cocktail renaissance.

For much more on the Brooklyn's history, check out this article from Edible Brooklyn.

Brooklyn

2 oz. rye whiskey
1 oz. dry vermouth
1/4 oz. maraschino liqueur
1/4 oz. Amer Picon or a few dashes Angostura or orange bitters (I used two dashes of each)

Combine all ingredients in a mixing glass with ice and stir until chilled. Strain into a Nick & Nora glass and garnish with a brandied cherry.

Recipe adapted from Serious Eats. The history of Amer Picon came from Punch.

Monday, October 24, 2016

All In

All In

It's been a big month for Garnish! After a year and a half of quietly blogging, a lot of things seemed to happen at once. I was pretty amazed to hit 2000 Instagram followers this week - if you're one of them, thank you! I'm so flattered that people enjoy my photos and my drinks. I got to attend my first cocktail competition, the Boston qualifier for the Diplomático World Tournament (which I sort of live-tweeted, if you want to take a look at the nine entries). I met a bunch of my fellow Boston bloggers in person, including Mr. Muddle and Boston Bar Hopper, which was really fun. And I had some great collaborations with Hooch, Drizly, and Cocktail Builder.

On top of all that, I've just started a new collaboration that I'm particularly excited about. Garnish is now officially partnered with Muddle & Stir, a fantastic site that sells bar tools, glassware, and mixers such as bitters, shrubs, and syrups. I'm going to do a post soon featuring a few of their products to give them a proper introduction, but I definitely wanted to let you guys know as soon as possible that Garnish readers can get 10% off and free shipping on everything at Muddle & Stir with the discount code MS10GB. This is a great deal, as their prices are already quite good. So go check out their products and buy something new for your bar! And stay turned for more about our partnership and details on some of my favorite products on the site.

Let's celebrate with a cocktail, shall we?

All In

I've come a long way from the days when I thought that the only good use for crème de cacao was in a chocolate martini or a Brandy Alexander. The Flushing - Main Street and the 20th Century both convinced me that this can be a much more versatile spirit than I realized. So when I saw this recipe pairing it with Campari, I was, well, all in. This cocktail is a riff on the Old Pal, which is made with equal parts rye, Campari, and dry vermouth. The All In changes up the proportions a bit and makes the critical addition of crème de cacao. The hint of chocolate plays beautifully with the bitter, citrusy flavor of the Campari and the rich, spicy rye.

History: The All In comes from Natasha David at Nitecap in New York City.

All In

1 1/2 oz. rye
3/4 oz. dry vermouth
3/4 oz. Campari
1/4 oz. creme de cacao

Combine all ingredients in a mixing glass with ice. Stir until chilled. Strain into a coupe and garnish with a lemon twist.

Recipe from Punch.

Monday, August 1, 2016

Flushing - Main Street

Flushing - Main Street

As I mentioned in my post about Crème de Cacao, the Flushing - Main Street from Tiger Mama was the cocktail that made me decide I needed to buy a bottle. I'd never seen chocolate liqueur in a cocktail with ingredients like Blanc Vermouth and Green Chartreuse, and I certainly didn't expect it to taste so good. While it is sweet, it's extremely well-balanced with nice hints of bitterness and citrus. If I didn't know there was crème de cacao in this cocktail, I'm not sure I would even guess it, but the chocolatey notes are definitely there once you look for them.

Though I did buy the crème de cacao, I had to make a couple of other substitutions in this recipe. It calls for Akasi White Oak Japanese Whiskey and Dolin Blanc vermouth, neither of which I own. For the whiskey, I subbed in a blended Scotch, and I used dry vermouth instead of blanc. I hope neither substitution is too egregious; I still find the cocktail very good. From what I've read about the flavor of the Akasi, my version is probably lighter and less smoky. There's definitely a color difference. And the dry vermouth is less sweet than the blanc, which actually suits me just fine, as this is already a pretty sweet cocktail.

History: The Flushing - Main Street comes from Tiger Mama in Boston's Fenway area. I got the recipe from Fred Yarm's blog Cocktail Virgin Slut. He says it's actually a Manhattan variation, and the name comes from a train station in Queens. The recipe was (probably) developed by Charles Coykendall, the bar manager at Tiger Mama. Here's a brief interview with him about his work there.

Flushing - Main Street

2 oz. Akashi White Oak Japanese Whiskey (I used blended Scotch)
1/2 oz. Dolin Blanc Vermouth (I used Dolin Dry)
1/4 oz. Green Chartreuse
1/4 oz. Tempus Fugit Crème de Cacao
1 dash Angostura bitters

Combine all ingredients in a mixing glass with ice and stir until chilled. Strain into a coupe glass. Garnish with a flamed lemon twist.

Recipe from Cocktail Virgin Slut.

Wednesday, July 13, 2016

Joy Division

Joy Division

I've been leaning more and more towards stirred gin drinks lately. Remember, you shake cocktails that contain ingredients with different densities from your spirits, like fruit juice, so stirred cocktails tend to be more spirit-forward. Things like the Means of Preservation, #42, Gin-Campari Old Fashioned, Lucien Gaudin, and of course the Martini and its close cousin the Vesper. I've got some new favorite recipes in this category that I'm excited to share. Today it's the Joy Divison.

The Joy Division is definitely a spirit-forward cocktail. It starts with your typical martini ingredients - gin and dry vermouth - and makes the addition of Cointreau and a bit of absinthe. It's strong and herbal with a hint of sweet citrus. It's a great alternative to a martini if you're in the mood for something with a little more flavor.

History: The Joy Division comes from Phil Ward of Death & Co in New York. He created it in 2008. As far as I can tell, the name is an homage to an English rock band.

Joy Division

Joy Division

2 oz. gin
1 oz. dry vermouth
1/2 oz. Cointreau
3 dashes* absinthe (I used Herbsaint)

Combine all ingredients in a mixing glass with ice and stir until chilled. Strain into a coupe glass and garnish with a lemon twist. I discarded the twist and threw in some edible flowers.

*Remember, a dash is between 1/8 and 1/4 tsp. For the absinthe, I recommend measuring it out since the flavor can be overpowering if you put too much.

Recipe from Liquor.com.

Friday, June 10, 2016

Deconstructed Negroni

Deconstructed Negroni

It seems it's Negroni Week! All my favorite sites have been exploding with Negronis and Negroni variations. Few cocktails have such a loyal, enthusiastic following as the Negroni. It makes me even more ashamed to admit that it's really not my favorite cocktail. But that doesn't mean I can't still appreciate it. Plus, with all these twists and variations on the classic gin/Campari/sweet vermouth formula, I'm bound to find a version I'm more on board with. For example, I'm pretty sure I'd adore the Contessa, made with gin, dry vermouth, and Aperol.

This sudden focus on Negronis reminded me of something I've been wanting to try for a while now: dehydrating spirits. A bartender at Roosevelt in Denver introduced me to the concept. They do it with Campari and Green Chartreuse, and he said they used the Campari to make a "white Negroni" with gin and dry vermouth. (Incidentally, there's a more popular White Negroni out there, made with gin, Lillet, and Suze - another recipe I'd love to try.) I decided it was high time I dehydrated some Campari and tried this for myself.

Dehydrating spirits is very easy, especially if you have a dehydrator. Most come with little pans for making fruit rolls that are also perfect for liquids. Just put one in place, pour in your booze, and let it run 12-36 hours. I tried running it overnight at first, and thought the whole thing was a bust - the Campari was thick and sticky, but not crystallized at all. I stirred it up a bit and spread it out and found a few patches of solids I hadn't been able to see. After that it dried out quite quickly. I scraped it up and pounded it into small pieces using a muddler. I didn't take photos, but Camper English has the whole process documented over at Alcademics. He's also got an alternative method for those of you who don't own dehydrators: doing it in the oven.

The crystallized Campari makes for a really cool ingredient. It's very pretty, and tastes about like you'd expect - sweet and herbal at first, and then extremely, wonderfully bitter. For my Deconstructed Negroni, I ran an orange wedge around the edge of my glass and dipped it in the Campari, then added gin, dry vermouth, and an orange peel. Of course, a true Negroni is made with sweet vermouth, but then you lose the visual contrast between the clear liquids and the red solids. It's almost like the ghost of a Negroni.

It tastes a bit like that, too. The Campari takes a minute to blend with the rest of the drink on your tongue, which makes for an interesting transition of flavors as you sip. That along with the texture of the Campari made for a truly unique cocktail. It's not one I'll be making again and again, but it was quite a fun experiment. I look forward to using the dehydrated Campari in other ways, and crystallizing some other liqueurs as well.

Deconstructed Negroni

1 oz. gin
3/4 oz. dry vermouth
Dehydrated Campari to rim glass

Combine gin and dry vermouth in a mixing glass. Add ice and stir until chilled. Run a small piece of orange around the rim of a rocks glass and coat with the dehydrated Campari. Carefully add one large ice cube. Strain the gin and dry vermouth into the glass. Garnish with an orange twist.

Wednesday, May 18, 2016

Slow Fade

Slow Fade


It's been way too long since I posted a mezcal cocktail. I really like mezcal in a cocktail, whether it's the base or just there to provide a hint of smoke. When I first discovered how much I liked it, mezcal cocktails became my go-to at any bar. Maybe I overdid it, because it's been a while since I ordered or made one. But I will happily break this trend with the Slow Fade.

This cocktail makes brilliant use of smoky mezcal, pairing it with bitter Campari, blanc vermouth, and just a hint of elderflower liqueur for sweetness. A grapefruit twist gives it a beautiful hint of citrus. Honestly, while I tend to avoid grapefruit juice in cocktails - I just don't like the flavor - a grapefruit twist can have a serious impact on a drink. Interestingly, two of the other three cocktails I've made that use one (the Earthbound and the Division Bell) are tequila- and mezcal-based respectively, and include Aperol, Campari's close cousin. I guess the flavors just work together. This cocktail is more spirit-forward and less citrusy than either of those, but they definitely form a nice little trio.

Slow Fade

A note on the vermouth in this recipe. It calls for blanc vermouth, which is different from dry vermouth. It's lighter, sweeter, and less herbal. And I don't have a bottle. Dry vermouth is a fair substitute, but it is going to change the flavor of the final product. But - I can confidently report based on how quickly I'm working my way through this cocktail - it's still really, really good with dry.

One day I'll own every bottle I could possibly want, but until then, we must soldier on.

History: The Slow Fade was created by Henry Prendergast and Robby Haynes at Analogue in Chicago.

Slow Fade

1 oz. mezcal
1 oz. blanc vermouth
1 oz. Campari
1/8 oz. St. Germain (3/4 tsp.)
1 dash Angostura bitters

Combine all ingredients in a mixing glass. Stir with ice until chilled. Strain into a rocks glass over one large ice cube. Garnish with a grapefruit twist.

Recipe from Imbibe.

Friday, January 15, 2016

Lucien Gaudin

Lucien Gaudin

The Lucien Gaudin is a current favorite of mine. It's an older cocktail, probably Prohibition-era, that has managed to fly under the radar for nearly 100 years. Which is a shame, because it's very good. With gin, Campari, Cointreau, and dry vermouth, it's sort of a Negroni-meets-Martini. It's a perfect aperitif, with just the right amount of bitterness, sweetness, and bright and beautiful hints of citrus.

One thing I love about this cocktail is how simple and classic its four ingredients are. You probably have them in your bar already. The one thing I didn't have until recently is Cointreau. Since it's a bit pricier than other orange liqueurs, I've often substituted Triple Sec in the past, which will give you generally the same flavor. But since buying a bottle, I have to say that it is definitely not the same. Triple Sec is orange candy in comparison to Cointreau's brighter, more complex flavor. It adds a level of sophistication to a cocktail that Triple Sec lacks. It's a worthy splurge.

Lucien Gaudin


History: Lucien Gaudin was a famous French fencer. He was known for his graceful technique, which fellow master Felix Bertrand called "poetry in motion." He won two gold medals at both the 1924 and 1928 Olympics, in which he competed in both the foil and the épée. He went on to become a journalist and co-owner of a company that made sports films. He committed suicide in 1934. Most sources say it was because his company had gone bankrupt, but others claim he suffered a thumb injury that would prevent him from fencing.


Lucien Gaudin
Lucien Gaudin


The cocktail named for Gaudin was probably invented in France during the height of his popularity, but its exact origins are unknown. The earliest publication to include a recipe is Trader Vic's Bartender's Guide from 1948. It has recently been rediscovered by cocktail enthusiasts, probably due to its inclusion in Ted Haigh's recent book Vintage Spirits and Forgotten Cocktails. This recipe uses the proportions from Trader Vic's; Haigh's recipe reduces the gin to 1 oz.

I think the Lucien Gaudin cocktail is an apt tribute to its namesake. It's elegant and strong, and the ingredients work together like a bit of poetry themselves.


Lucien Gaudin

Lucien Gaudin

1 1/2 oz. gin
1/2 oz. Campari
1/2 oz. Cointreau
1/2 oz. dry vermouth

Combine all ingredients in a mixing glass with ice. Stir until well chilled. Strain into a coupe glass. Garnish with an orange twist.

Recipe from Cold Glass.

Thursday, August 20, 2015

Olive-Rosemary Martini

Olive Rosemary Martini

I am a big fan of gin. Or I suppose I should say that I'm a big fan of gin cocktails. Because unlike whiskey, which I will happily drink straight, I've never been the sort to order a gin martini that has been merely waved at a bottle of vermouth. Because I'm usually mixing gins with other things, I don't always really get a sense for their individual flavor profiles. I bought Tanqueray because it was affordable and I liked it well enough. But I'm making a point to branch out. I've already tried GrandTen's Wire Works gin and I really like it. So I decided to buy a bottle from another brand I've been eyeing, St. George.

As you may already know, I'm a sucker for nice bottles, and St. George has most other gins beat with its beautiful Victorian-style label. I found myself at the liquor store looking at the two bottles of their gin I had to choose between: the Botanivore and the Terroir. I knew that the Terroir had a much more distinctive, unusual flavor, so I took a risk and bought it without ever having tried it. I'm glad I did.

St. George Terroir is a very unique, strongly flavored gin. Heavily inspired by the forests of northern California, its main botanicals are Douglas fir, coastal laurel, and sage. It has a deeply piney, earthy taste, like walking through a forest of evergreens. Is it a good go-to, everyday gin? Absolutely not. But it is uniquely delicious.

Olive Rosemary Martini

The strong flavors of St. George Terroir mean that I'll have to think carefully before using it in any cocktail recipes that don't specifically call for it. But I saw this one and thought it might be perfect. I had bookmarked it a while back, impressed by its simplicity. It's just an ordinary gin martini that uses a sprig of fresh rosemary instead of a toothpick for olives. But I know how strong the scent and flavor of fresh rosemary can be. I smell it on my hands for hours after I water my rosemary in the morning. A simple sprig could have a big impact on a martini. And the flavors of St. George Terroir seemed like they would meld perfectly with a rosemary-scented garnish.

Sure enough, I feel like this is a beautiful cocktail to showcase the flavors of this unique gin. If you like gin and have the opportunity to taste St. George Terroir, I highly recommend it. I got to try the Botanivore this past week, and it's also great - a very smooth and tasty gin for other cocktails. I'd like to do a more formal taste-test of a handful of gins sometime, so I can try to get a better sense for the different flavors in each one. But I'd leave St. George Terroir out of that. It's distinctive enough on its own.

Olive Rosemary Martini

Olive-Rosemary Martini

2 oz. gin (I used St. George Terroir)
2 tsp. dry vermouth
1 sprig rosemary
3 black olives

Combine gin and vermouth in a mixing glass with ice. Stir until well chilled. Strain into a chilled martini glass. Garnish with the olives speared on the rosemary sprig.

Recipe adapted from Martha Stewart.

Monday, August 3, 2015

#42

#42

When we first bought our apartment, one of the things I was the most excited about was the balcony. After living in a place with no natural light where every plant I tried to cultivate withered and died, I couldn't wait to grow some herbs and veggies outside. The first warm weekend of the spring, I went out and bought all kinds of herbs and seeds. It started reasonably enough: five little pots of herbs and a rectangular planter of tomato seedlings. When nothing died, I transplanted the herbs into bigger pots and planted some more seeds. Those sprouted, and my tomatoes made fruit. So I added zucchini, eggplant, and some more herbs.

Now I basically have a jungle on my balcony. It has definitely gotten out of hand. Buying pots got expensive, so I started swiping plastic pots out of neighbors' trash cans. It literally takes gallons to water everything. I may have a problem. But I love going right outside for fresh herbs, and it's so exciting seeing new veggies appear. Next year I might try building some planter boxes so the jumble of pots isn't so chaotic.

#42

When I participated in my first Mixology Monday, I invented a cocktail I called the Perfect 10 that included Bittermen's Boston Bittahs, which have flavors of citrus and chamomile. I commented that the best garnish for the cocktail would have been chamomile flowers but, and I quote, "who has those just lying around?"

I'll tell you who: crazy potted plant lady. Days after I wrote that post, I bought some chamomile seeds, and I now have a steady supply of chamomile flowers! I made this recipe specifically for a chance to use them, but boy am I glad I tried it. It is just lovely. A basic gin martini recipe is made unforgettable by the addition of a bit of honey simple syrup and a dash of Boston Bittahs. It's just a little sweet, with beautiful notes of honey and chamomile. It's one of the best new recipes I've tried in a while.

If you don't have a bottle of Boston Bittahs, I think this could be a nice recipe to showcase other flavors as well. For example, orange bitters plus an orange twist.

History: The #42 was invented at the Hungry Mother in Cambridge, MA, which is now closed. But I think the same folks opened State Park, which is a great place.

#42

2.5 oz. gin (Greylock recommended, I used Wire Works)
1/4 oz. dry vermouth
1/4 oz. honey simple syrup*
1 dash Bittermen's Boston Bittahs

Combine ingredients in a shaker. Add ice and shake until well chilled. Strain into a coupe glass. Twist a lemon peel over the cocktail and rub along the sides. Garnish with the lemon twist or discard and garnish with chamomile flowers.

*Honey simple syrup = equal parts honey and water. Heat in a saucepan or in the microwave until honey is dissolved. Let cool before using. Store in the refrigerator.

Recipe adapted from the Hungry Mother via Bittermen's.

Wednesday, June 24, 2015

Pen Pal

Pen Pal

A friend of mine recently found out about this blog and asked me for the address. A few minutes later, I received a text from him: 

OMG. You don't like Negronis?!

Oh, the shame. Fifty-odd recipes up here, and of course a real cocktail lover goes straight for the Negroni. Let me be clear: I want to like the Negroni. There seems to be a consensus that it's one of the really great cocktails. But I just don't enjoy them.

In order to make up for this obvious character deficit, I've hunted down a number of recipes that are similar to the Negroni that I still really like. I introduced two of them back in April: the Boulevardier and the Old Pal. Like the Negroni, they follow a basic formula: gin or whiskey, sweet or dry vermouth, and Campari. 

Today I'm adding one more to the list, and another variation to the formula. The Pen Pal is closest to the Old Pal, but it increases the proportion of rye and swaps out the Campari for Aperol, its sweeter, more citrusy cousin. It's probably my favorite of the four. If you share with me the terrible shame of not enjoying Negronis, the Pen Pal might be for you.

History: The Pen Pal was invented at Barmini in Washington, D.C. 

Pen Pal

1 1/2 oz. rye
3/4 oz. dry vermouth
3/4 oz. Aperol

Add all ingredients to a mixing glass. Add ice and stir until chilled. Strain into a cocktail glass or coupe. Garnish with a lemon peel. Don't forget to write home about it.

Recipe from Punch.